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This catalogue is meant to be a guide about some of Nollywood’s actors. It is important to know what drives Nigeria’s movie/film industry. These actors play an important role in that regard. Some of them are (also) colourful characters with varying degrees of strength, weaknesses and obviously talent. A Stella Damasus Aboderin: Stella Damasus Aboderin is one of the bright lights in the film industry, in the sense that she is pure talent. Through design or coincidence she features in films not as often as her contemporaries but Stella does pull big punches in her acting. She is a rising star whose range would transcend beyond the shores of the country.
Credits – Emotional Pain (2003), Game of life (2003) Karim Adepoju: Karim Adepoju (aka Baba Wande) started his acting career with Oyin Adejobi theatre group. The Oyin Adejobi theatre group made an in road into television through a popular series called Kootu Ashipa (Ashipa Court). He was later involved in other television productions. Karim Adepoju has been able to transfer acting talent on to film. Apart from acting, he is also involved in producing films. Though he is a veteran in the entertainment industry, he can be described positively as the peter pan of Yoruba actors. He is very flexible with a positive approach to his work. Credits - Ti Oluwa Nile, Iyawo Akofe (20022), Ebu Ika (2003), Oyato (Standout) 1&2
Judith Adewale: Judith Adewale is a young up coming actress. Judith Adewale has had the priviledge of acting in a few but outstanding films. In both supporting and major roles, she has given good performances. This helped in raising her profile. She is in her formative years as an actress. Credits: The Game of Husband Snatchers (2003), Game of Life (2003)
Fabian Adibe: He is of the older generation of actors. His presence in a film helps in bringing a degree of credibility and a sense expectance in most of his works. He is very popular in Igbo related films. His characters usually have a strong humane dimension to them. As he has come to be recognised by such identity, it's worth trying something else. Credits: Peacemaker (2003)
Fred Amata: Fred Amata started his career in films as an actor. He is trained professional. He has over the past few years de-emphasised acting and concentrated on directing. Occasionally he acts. His acting capability has not been put to the depths of test with regards to characters played. Credits: Blackmamba (2003), Wheel of change (2005) Jeta Amata: Jeta Amata is an icon of the renaissance, which the world recognises as Nigeria’s film industry. He is an individual who from the beginning of his career as an actor, producer and director has put himself forward as a reference point, by virtue of his creativity and intellectual depth. Jeta Amata in spite of his busy schedule takes his acting very seriously. His talent and brilliance show continuously in his works. Credits – Blackmamba (2003), The Addict (2003), Game of Life (2003)
Francis Agu: Francis Agu featured in the popular television series checkmate before moving on to film. He distinguished himself as an actor, playing a sort of Jackle and Hyde character brilliantly. He is intelligent and dignified, choosing his roles in films very carefully. He has featured in Yoruba genre films in which he gave a good account of his acting credentials. He is an actor of international standard. Credits - Fear of the unknown (2003) Bimbo Akintola: Bimbo Akintola cut her acting teeth in the blockbuster, Out of Bounds, which starred Richard Mofe Damijo. Bimbo Akintola has come a long way. She is a very brilliant actress, not particularly bothered about the number of films she features in, in a year but the quality of production she is associated with. Bimbo Akintola is usually teamed up with artists of repute. She is an "A list" actress. Her quality acting makes her a favourable candidate for an international cast. Credits - Out of Bounds, The Husband and wife (2003),
Segun Arinze: Segun Arinze has been associated with the renaissance and steady growth of Nigeria’s film industry, from its humble beginning to the level that it has attained. Segun Arinze has been around all the way. He is an actor’s actor. Segun Arinze’s character usually stands out in a film no matter the weight of such role. Most film directors in the country hardly appreciate his talent. He has a natural presence in films and a level of sophistication which the international film community should take note of. Credits – The Husband and Wife (2003), Blackmamba (2003)
Zulu Adigwe: Zulu is a veteran of the world of theatre, television and now Nollywood. Though of the old school stock he has authority on screen.
B Lilian Bach: Lilian Bach is of the mould of actresses such as Genevieve Nnaji as they share similar style and acting orientation. Lilian Bach however has a bright persona, which lightens up a film. Her acting repertoire is quite credible. Credits - Not Man Enough (2003) Angel of Destiny (2004)
Credit- Owo Ale (2002), Pala Pala (2003),
Bukola Babalola: Bukola Babalola is quite sophisticated in her performances. Her mastery of contemporary issues in characters portrayed in Yoruba films is quite evident. Though she appears more in Yoruba films, she has the capability of featuring in non -Yoruba films. Credit – Sisi Ologe (Lead role, 2003)
Said Balogun: Said Balogun is part of an acting pair. His wife Fathia Balogun is an actress. Said Balogun has a number of years behind him as an actor. (He stated off when the industry was in its rudimentary stage). He has been able to build a favourable reputation for himself and also rise above the competition within the industry. Said Balogun's versatility is evident in roles played in films such as, The Husband and Wife. Majorities of his film roles are Yoruba genre, where he has made a mark. Credits - Ogo Osupa (Moon's Glory) 2003, The Husband and Wife (2003), Jeun Soke (2003), Irunmu Lowo (2003), Ihoho Eda (2003)
Franca Brown: Franca Brown is a recurring figure in the film industry. Franca Brown has the capability of playing very strong characters like Foxy Brown characters in African American films. She also brings some degree of dignity into the characters she plays. Credits – Out of Love (2003)
Peter Bunor: Peter Bunor's acting career spans over two decades. He is a trained actor. He was prominent in television before the advent of the growth of the film industry, as it is known now. He has acted a number of supporting roles. His experience is worth tapping into at any time. He is also multidimensional with regards to the main existing genres. Credits- Night Fall (1999), The game of Husband Snatchers (2003), The Addict (2003)
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D Richard Mofe Damijo: The man popularly referred to, as RMD is a source of excitement to millions of film buffs and enthusiasts in the Nigeria and beyond. Any film, which has RMD’s signature, is most likely to be a blockbuster. What does RMD have going for him, which others do not necessarily have? RMD is a number of things in one. He is undoubtedly one of the nation’s exceptionally gifted actors in the film industry. He has the aesthetics to complement his acting capability. Equally important is the fact that he is a brand, which some major institutions have identified with and rightly so. RMD starting his acting career on stage, from where he moved on to television, featuring in plays and popular series. He was propelled to national prominence with the role he played in the television soap opera, Checkmate. With the gradual growth of the movie industry, a ready-made star had been created waiting to be utilized. RMD is very versatile and committed to his profession. Credits – Out of Bounds, Diamond Ring, I will die for you (2003), The Bridesmaid (2003), Emotional Pain (2003)
E Pete Edochie: Pete Edochie’s acting was recognised nationally in the early 1980s with the dramatisation of Chinua Achebe’s things fall apart on television, in which he played the lead role of Okonkwo superbly. Pete Edochie has continuously been a dominant factor as an actor. He has played several roles. He is quite versatile. Pete Edochie is a master at traditional Igbo roles. His portrayal of characters in films depicting contemporary (urban) society however is rather subtle. Credits – Omotola Jalade Ekehinde: She is one of the major female stars in the industry. She started has acting career in her late teens. Omotola Ekehinde is very versatile, as she has played very varying and complex roles. Omotola Ekehinde transcends both English and Yoruba genre Credits – Blood Sisters (2003), Oyato 1&2 (standout) 2003,
Kepy Ekpeyong: Kepy Ekpeyong is a tested actor. He has the presence and the intellectual capability, which is rear among actors /actresses in the film industry. Kepy Ekpeyong like Richard Mofe Damijo (RMD) chooses his roles very carefully. This may be due to him being professional in the sense that he did not stumble into acting. He is one those actors whose appearance in a film, attracts much interest. Credits – Blackmamba (2003)
Emma Ekdokpan: Emma Ekdokpan’s career started on stage and television. He featured in major television plays produced by NTA Benin. He is a brilliant actor. He also has the unique attribute of natural confidence, which allows him plays characters effortlessly. Emma Ekdokpan’s talent deserves international attention beyond Africa’s shores. Credits – Fear of the unknown (2003)
Peter Ene: Peter Ene has proven to be a dependable actor with producers. He is often cast in roles depicting an elder in traditional Igbo films. What makes Peter Ene stand out, in spite of the reoccurrence of his casting, is the fact that he is naturally involved in very notable projects. Credits – My Girl (2000), Prophecy
Justus Esiri: For people familiar with the popular television series, The Village Headmaster in Nigeria, Justus Esiri has an iconic value especially to those growing in that era and after. He is an accomplished actor of the old school, very experienced. His involvement in film is an addition to a long acting career. He has contributed in no small measure to the credibility of the industry. He is versatile and still very active. Credits - Sister Mary (2003)
Eucharia Anunobi Ekwu: Eucharia Anunobi shot to stardom in her role in the blockbuster Glamour Girls. She has since appeared in many films depicting numerous roles. She has matured as an actress over the years but is still in the process of growing. She gives her best in her roles and has played some characters exceptionally. She has a commanding presence, which a casting director might find beneficial. Credits- Glamour Girls (1996), Blood Sisters (2002), Sister Mary
Desmond Elliot: He is a rising star in the industry. His looks and his talents ensure that he is in constant demand by producers. One of the things going for Desmond Elliot is being a very young actor. He is conveniently cast in films, which revolve round love story plots. Desmond Elliot is also active on the soap opera circuit in productions such as “Everyday People”. However there is the need to wean him off the burden of playing “emotional characters” as a way of making him more versatile. The danger of overemphasis on what seems to be tilting towards some typecasting is an overplay of his mellow side. He has what it takes at proving otherwise but has not been given the opportunity to accomplish such versatility.
F Sola Fosudo: He started in television before going into home movies. Some of television roles were soaps like checkmate Surprisingly he is also an academic. He has been able to create a balance between English language films and Yoruba genre. He can be a bit conservative with the roles he plays thus questioning the depth of his versatility.
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H Ayo Adesanya Hassan: She has been part of the resurgence in the film industry. Ayo Adesanya Hassan is very capable in roles played. She features in both English and Yoruba films. She has had the opportunity in appearing in epics. She has a natural flair. Credits- Ebu Ika (2003)
Abiodun Hassan: Abiodun Hassan popularly known as ‘Ogogo’ to his fans belongs to the “A list” category of Yoruba actors/actresses. He is a natural talent and a very engaging actor. Such attributes have made Abiodun Hassan a household name, at least regarding Yoruba films. Credit – Abiodun Hassan is a household name in Yoruba genre movies with many films to his name. He is also a prolific producer.
I Osita Iheme: This young man has carved a niche for himself on the comedy stream of Nigeria's film industry. He has used his stature (size) to his advantage. His preference is in slapstick comic acts. This seems to be the attraction to his fan base. In terms of acting he is capable. It would be a big task for him to play non-comic roles, though it is not impossible. Credits - Greensnake (2003), Tom and Jerry
Emeka Ike: Emeka Ike is an actor deemed for the top. He is one of those actors, who seem to research their characters carefully. He has the ability of carrying an audience along. His role in films depicting love themes are well known or those depicting the life of a young man. Emeka Ike however needs to expand his versatility. It would be a big risk if he ends being type cast Credits - Not Man Enough 1 &2 (2003), Peacemaker (2003)
Jim Iyke: He is a high profile actor. He is young and very much in demand by producers. He is one of the few actors who attract a level of excitement from teenagers and young adult ladies in Nigeria. He has a very authentic cosmopolitan persona, which makes him easily put forward for in urban related films. Jim Iyke’s acting potential has not been exploited to the full in the sense that, the roles that he his associated with are quite restricted. Credits – Extreme Measure (2003), Game of Life (2003), Passion Hotel (2004)
J Olu Jacobs: He is the father of Nigeria’s contemporary film industry. His acting career goes back to the 1960s sixties, which started in the United Kingdom. He acted with the likes of Roger Moore, Richard Burton etc while abroad. On his return to Nigeria, he continued his acting career in television and on stage. The decline of television plays was the gain of film, where directors and producers trying to make their mark tapped into his talent and experience. Olu Jacobs is a professional to the core. Most epic film producers seek to get him on board, probably due to the authority he commands in epic role casting. He is very versatile, appearing in Yoruba genre, Igbo traditional films and contemporary English language films. He is a resource as far as casting is concerned. Credits – Fear of the unknown (2003)
K Jide Kosoko: He is a veteran in the entertainment industry. Jide Kosoko came to prominence through television. He was a member of Awada kerikeri theatre group, which had a successful series on television. Jide Kosoko is one of the most prolific and hard working artists in the industry. He also produces and directs films. He is well known as a Yoruba actor. However, Jide Kosoko has made a cross over, effortlessly into English language genre films. This is evidence of his talent as an actor. He is very versatile with characters. Jide Kosoko is in need of the real test, acting on the international stage beyond Ghanaian – Nigerian co productions. Credits- My Blood, My Bride (2003), Amadi (The Running Man) 2003, Arewa Okunrin (2003), Ihoho Eda (2003), Brothers (2003) Rita Kosoko: Rita Kosoko belongs to the acting Kosoko dynasty headed by her husband Jide. She started her acting career in television on NTA productions. In the film industry, he has been active in Yoruba genre films. Rita has a lot to offer, but there could well be some factors militating against full accomplishment of her potentials. She is a natural talent. Credits – Pala Pala (2003) Larry Koldsweat: Larry koldsweat has been very active as an actor. He falls into the category of actors such as Pete Edochie, Fabian Ndibe etc. He has a very visible profile. He features in Igbo (English language) traditional films. Credits – Tiger’s Tail (2003)
L Sam Efe Loco: He is a veteran of the theatre, television and films. In the early period of his career he was prominent on television in both western Nigeria and the old mid western region of the country. He has contributed to the growth of the rebirth of Nigeria’s film industry. Credits - Sam Efe Loco has so many films and appeared in many which TV soaps such as “Everyday People”
Antar Laniyan: In recent times Antar Laniyan has been Credits – Super Story, Papa Ajasco
M Ayo Binta Mogaji: Ayo Binta Mogaji acting career started prior to the revival of Nigeria’s film industry. She was one of the leading cast members of the popular television soap opera “Checkmate”. Her character in the soap opera was very notable, with a large section of the population being able to easily identify with it. Ayo Mogaji’s brilliance through her versatility has not gone unnoticed. She is always in demand, to be cast for varying roles. What makes Ayo Binta Mogaji unique, as an actress is an exterior of simplicity but an interior of authority and control in relation to her craft. She would comfortably fit into any film genre. She has featured in Igbo traditional films but appears mainly in Yoruba films. Credits – Motherhood, Owo Ale (2002), Ile Olorogun (2003)
Amechi Mounagor: He has proven to be an actor not to be taken with a pitch of salt. He has played comic characters successfully, giving signals of being flexible. Amechi Mounagor thrives in English Language films, which revolves round Igbo culture. He has appeared in contemporary (urban) English language films. However he needs to research his characters more often and better, to enable him improve in that interpreting them and allow him more fluency. Credit- Peacemaker (2003)
Okey McAnthony: Okey McAnthony started his entertainment career as a comic act and eventually ended up in film. Okey McAnthony thrives most doing comic roles in films or comedy productions. As Eddie Murphy is to Hollywood, so is Okey McAnthony to Nigeria's film industry. He is involved in both Igbo traditional films and English language genre films. Credits - Amadi (The Running Man) 2003
N Genevieve Nnaji: Genevieve Nnaji started her acting career very early. She has developed professionally to become a force, to reckon with. She comfortably falls into the "A list" of Nigeria's acting celebrities. Genevieve gives her best in her roles and as such is always in demand. She has been involved in the different streams of films except Yoruba genre. Genevieve Nnaji's talent is not in doubt, but producers and directors need to explore her versatility, by exposing her to more complex roles. This would only enhance her career further. Credits- Passion & Pain (2002), Not Man enough 1&2 (2003), Prophecy 1&2
Kate Henshaw Nuttal: Kate Henshaw sprung to national prominence in her role, the film titled Onome. Kate Henshaw had been in television prior to Onome. She is an actress of repute who is always cast for her brilliance and nothing else. Credits – Onome (1995), The Addict (2003), Game of life (2003)
Anthony Nwakalor: His performance in The Addict confirms him as one of the rising stars in Nigeria's acting community. Anthony Nwakalor's mastery and performance of a character, as demanding as the addict makes him an actor to watch out for. Credits - The Addict (2003)
Benita Nzeribe: she is a well-polished actress and talented. Benita Nzeribe is still developing. She has what it takes to become a force in the industry. There is need to look beyond the roles she features in. There is the tendency of casting her as a young girl/women in films. This could be limiting. Attempting a cross over into other genre may help in giving her added recognition. Credits - Peacemaker (2003), Hit the road
Fabian Ndibe: He is a veteran actor but most important of all, talented. He features mainly in Igbo (English language) traditional films. Nigeria’s film industry revolves round mobility where an actor is required to feature in films shot in the western, eastern or northern part of the country. Fabian Ndibe has not shown much identification with the level of mobility in practise. Credits – Tiger’s Tail (2003), Peacemaker (2003) (Nduka),
Credits – My blood, My Bride (2003) O Saint Obi: Saint Obi has resumed his acting career after a brief break. Prior to the gap years, Saint Obi was in high demand by producers. Saint Obi brought glamour to acting, before anyone else caught the bug among male actors. Saint Obi is still very much a major figure in the industry and he can always rely on his fans. This is a factor, which would be at the back of producers/ directors’ minds. Credit – Saint Obi is a veteran in his own right. He was Nollywood’s leading male actor for some years before yielding the title to the likes of Desmond Elliot. He has appeared in many films. Dele Odule: Dele’s contribution to Yoruba films cannot be over emphasised. As an actor, he is one of the backbones of Yoruba’s section of the industry, a very steadfast performer. He is an actor’s actor. He is a multitalented artist, very versatile in his works. Not much of Dele Odule has been seen in other genres of the film industry. He need not shy away, as that could be seen as limiting. Credits- Ogo Osupa (2003), Sisi Ologe (2003), Omoge Onifida, (2003), Irunmu Lowo (2003)
Sunday Omobolanle: Papa Aluwe as he is generally known as, came into films, through television. He was a protégé of the late Baba Mero of the Awada Kerikeri fame. He has maintained a close relationship with other former members of the theatre group, in collaborations involving such people in film productions. Papa Aluwe appears mainly in Yoruba genre films both of comic stream and non-comic streams. He has started building up his credentials in English language films and has stated off on a good footing. Credits - Greensnake (2003)
Clem Ohameze: Clem Ohameze is an “A List” actor/artist by Nigerian standards. He is in the mould of Richard Mofe Damijo, Liz Benson etc, though he may not have a higher profile. He commands authority in the roles he has played and is adept with the capability of fitting into the different streams of acting, either traditional Igbo related films or contemporary English roles. He seems to be restricted to English genre films, which could be due to his background, being an Igbo. As acting involves researching roles and characters, he can still take on roles, which reflect different cultural backgrounds apart from his own. Credits – My Girl (2003), Blackmamba (2003),
Florence Onuma: Florence Onuma's motherly and wife roles are well known. In Hollywood women's role diminish after they have attained certain age groups. Could the same situation be at play on the Nigerian scene? If it is not the case, how is it that good talents like Florence Onuma seem to be restricted to what is turning into typecasting? Casting directors should exploit talents to the full Credits- The Addict (2003), The Game of Husband Snatchers (2003)
Rachael Oniga: Rachael Oniga's acting career started prior to the growth of the film industry in television and on stage. She was involved in epics and popular productions by Nigeria's famous playwrights. Rachael Oniga has the advantage of being exposed to the different acting platforms. This has influenced her acting. She is an experienced actress. Rachael appears in both Igbo traditional and Yoruba genre films. This does not undermine her ability to be cast in contemporary theme related films. Credits – Iyawo Akofe, Fear of the unknown (2003), Ogo Osupa (Moon's Glory) 2003, The Senator (2003) Ebun Oloyede: He is prominent on the Yoruba genre film circuit. He is an interesting actor but has not been stretched in terms of doing versatile roles. Ebun Oloyede is capable and imaginative. Credits - Iboji Alaaye (2003), Pala Pala (The Absurd) 2003
Zack Orji: Zack Orji stands out as "the gentleman" of Nigeria's films scene. This is a persona, which either by design or coincidence fits perfectly well with this actor. Zack Orji has been associated with the country's contemporary film industry from the onset. He features in Igbo traditional and contemporary genre films. He possesses natural acting capability. His persona has attracted the attention of filmmakers in Ghana, where he has featured in high profile productions. Credits - Glamour Girls (1996), Days of Glory (2003)
Nkem Owoh: Nkem Owoh is an accomplished comedy actor. He features in Igbo traditional and contemporary genre films. He seems to be comfortable with the sole identification with comedy. He is talented and producers recognise this, as he is constantly preoccupied. Credits - Omugwo (2003), Osuofia in London (2003)
Alex Osifo Omaigbo: Alex Osifo starting acting in the old Bendel state both on stage and in television. Alex Osifo is one of the remaining old school actors, well groomed in the art of performances. Alex Osifo’s screen persona commands credibility. In addition he has a natural strong presence in films, which producers and directors clamour for. Alex Osifo is quite particular about which role/films he appears in. Credits – Oyato (Standout) 1&2 (2003), Passion Hotel,
Uche Osotule: Uche Osotule cut her acting teeth in television appearing in the popular series Checkmate. Film came naturally as the next step for her. Uche Osotule has distinguished herself in the industry working with Nigeria’s most respected filmmaker Tunde Kelani in one of his foremost works, Thunderbolt (Magun) and many other brilliant directors. This development is recognition of her of her talent and fluency displays through her characters. Credit – Thunderbolt, Checkmate
John Okafor: John Okafor has taken on some roles, which the ordinary actor might consider too controversial. This attests to his acting pedigree. An actor acts first and probably entertains. He has proven that is an actor rather than an entertainer, with the calibre of characters played in films. His versatility is iron cast. Credits – Night Fall (1999), Prophecy P Lere Paimo: Lere Paimo career goes back to the days of WNTV (Western Nigeria Television) Ibadan. He is a Yoruba traditionalist, thus his acting roles are confined to Yoruba genre. Lere Paimo however comes across as a valuable resource, when it comes to casting for epics or characters with in-depth traditional role. He comfortably presents a bridge between the past and the present in his style. Credits – Ti Oluwa ni le 1 & 2
Q Yinka Quadri: Yinka Quadri is a contemporary of actors such as Dele Odule, Biodun Hassan. He is a specialist in Yoruba films and an expert in traditional issues, which he plays brilliantly. He has been in industry from the beginning of its recent growth. Yinka Quadri seems content with his sole association with Yoruba films. Credits- Pala Pala (2003), Arewa Okunrin (2003), Jeun Soke, (2003), Irunmu Lowo (2003)
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S Adebayo Salami: Adebayo Salami is one of the major players in Yoruba films. He cut his acting teeth with the Awada Kerikeri theatre group from where he moved into television and played an active role. The evolution of Nigeria's entertainment industry with particular reference to film has Adebayo Salami as one of its active participants. He is very prolific in his area of specialisation. He has often been cast in predictable roles, which from an artistic point of view is limiting. Credits – Jeun Soke (2003), Iyawo Alhaji
Shola Sobowale: Shola Sobowale is a remarkable actress. She has been acting for close to two decades. In her early years, she appeared in television productions of popular plays and in popular series. Shola Sobowale has been very active in the film industry in both Yoruba and English genre. Shola is a very experienced actress. Though versatile, she is adept at playing volatile characters. Credits – Oyato (Standout) 1&2, 2003
Nkiru Sylvanus: If you want to cast a female character that should draw sympathy Nkiru Sylvanus fits the bill. This is by no means saying she is typecast in her roles. She happens to be an actress who portrays a strong sense of sensitivity. She has been in the business for some years and is very reliable with regards performing a character. It is worth casting Nkiru in films produced by the likes of Ego Boyo etc to take her on to a different level. Her potentials have not been explored as much as necessary. Credit- Omugwo (2003), Peacemaker (2003), Greensnake (2003)
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U Obot Utuk: Obot Utuk though known for her acting, she is not as active as she used to be. She features in contemporary films, Igbo traditional films and has made bold attempts at making the cross over into Yoruba films. Credits - Iboji Alaaye (2003)
Credits – Out of Love (2003), Oyato (standout) 2003,
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Bukky Wright: She has two main factors to her advantage, beauty and talent. Bukky Wright's repertoire is not restricted to film, as she has appeared on stage also. She is a mature though relatively young actress. She is an icon of Yoruba genre films. Bukky Wright venturing into English language films is quite minimal, but she has what it takes to be active in the genre. Credits – Iyawo Akofe, Owo Ale (2002)
Regina Askia Williams: Regina Askia career in film goes back some years. She came into film through television. Regina Askia has not been consistent on the acting circuit, in terms of performances but she is a very good actress. Given the opportunity, Regina always proves herself. She is also versatile. Credits- The Game of Husband Snatchers (2003), The Red Machete
J. T. Tom West: J T Tom West is one of the few Nigerian actors with style, as one of his strong points in his works. He is very careful about the role/character he plays. He has a brilliant way of projecting a character. He has acted in contemporary, epics and Yoruba genre films. He has the capacity of shining on the international stage (beyond Africa) if given the opportunity. Credits – Oyato (Standout) 2003, Days of Glory (2003)
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